This only resulted in a vicious circle of mass producing low-budget films. In order to cover the costs, Shin Films had to mass produce nearly 30 movies a year, and the earnings rate per work dropped. The cost for the studio was huge, and maintenance and labor had to be paid regularly as well. He became a top film director and his company, Shin Films, became a success accordingly.Īfter taking over Anyang Studio, Shin Films’ financial situation became more difficult. Afterwards, in the early 1960s, Shin produced big hits continuously, including“Evergreen Tree”(1961), “Mother and a Guest”(1961), “Prince Yeonsan”(1961), “Bound by Chastity Rule”(1962), “Deaf Samryongi”(1964), and “The Red Scarf”(1964). The record breaking ticket sales became the foundation of the growth of Shin Films. “The Love Story of Chunhyang” was released first, but eventually, “Seong Chunhyang” was a huge hit with the victory going to the Shin Sang-ok and Choi Eun-hee couple. Both films were the first color cinemascopic films to be made in Korea. It became an interesting competition between the two director-and-actress couples. It was made during the same period as film director Hong Seong-ki’s “The Love Story of Chunhyang” starring Hong’s wife, Kim Ji-mee, as the heroine, Chunhyang. In 1961, Shin Sang-ok directed and produced “Seong Chunhyang” with Choi Eun-hee starring as the leading actress. It also helped me have more interest in our modern history, the conversion from the late period of Joseon to the Republic of Korea. The entire film industry was forced to produce this film as propaganda for President Ryee Syng-man, who was running for the next presidential election….īut the movie “Independence Association and young Ryee Syng-man” proved my potential for large scale films and also gave me greater confidence. “Among my early works, another one that has great meaning for me is “Independence Association and young Ryee Syng-man “(1959). After the Rhee Syng-man administration resigned due to election fraud in 1960 and the people’s uprising(April Revolution), Shin Sang-ok had been placed in a difficult situation for directing the movie. “Independence Association and young Ryee Syng-man (Doglibhyeobhoe-wa cheongnyeon I(Lee) Seungman)” was produced in order to beautify the then incumbent president Ryee Syng-man’s participation in Korea’s independence movement before the 1960 presidential election. In 1959, Shin Sang-ok directed a film which was later greatly disputed. Being introduced as “the one and only film person in the world to make films in South Korea, North Korea, Hong Kong and Hollywood,” In the world of cinema, Shin knew no bounds. The “Three Ninjas” series made a huge hit then. After escaping from the North in 1986, Shin Sang-ok and Choi Eun-hee produced a number of films in Hollywood in the 90s. He won awards at foreign film festivals and significantly contributed to raising North Korean cinema’s global status. From 1983, Shin received full support from Kim Jong-il in directing and producing North Korean films. The couple’s abduction had been a big issue not only in Korea, but all around the world. In January 1978, his wife and actress Choi Eun-hee had been abducted to the North and Shin later in July the same year. Since the late 1960s, he grew more and more distant with the government and in 1975, the license for his film company had been revoked for no specific reason. During this period, he also co-produced with filmmakers from Hong Kong, paving the way for Korean cinema’s global advance. Shin was the tycoon of the Korean film industry. He was also the CEO of Shin Films, which produced more than 200 films from the 1950 through the 1970s. Shin directed nearly 80 films including masterpieces such as “The Flower in Hell” (Ji-oghwa, 1958),“A Romantic Papa” (Romance ppappa, 1960).“Mother and a Guest” (Sarangbang Sonnimgwa Eomeoni, 1961),“Prince Yeonsan” (Yeonsan-gun, 1961),“Seong Chun-hyang” (1961),“The Red Scarf” (Ppalgan Mahura, 1964), and “Daewon-gun “ (1968)” (The number of films he directed differs by record.). Shin Sang-ok is one of the few globally renowned Korean film directors of the 1960s.
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